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Everybody’s got a dark side

There has been a lot of research on dark personality traits over almost a decade and many of these studies have focused on how they affect the workplace. The dark personality is the median between normal and clinical personalities allowing individuals to function without interference in their daily lives. Research in organizations by Jonason (2011) and others about the dark personality has focussed predominantly on three traits, i.e. Machiavellianism, narcissism, and psychopathy collectively known as the Dark Triad (DT) as seen in Paulus and Williams (2002).

In organizations, these subclinical traits are often measured with the Hogan Development Survey (HDS) which assesses 11 of these traits. When high, these subclinical traits might adversely affect an individual’s personal or work lives when they are stressed. Machiavellianism seems to align with Skeptical which is characterised by cynicism and distrust, narcissism with Bold which corresponds to excessive self-confidence and psychopathy with Mischievous on the HDS because they take risks and seek excitement (Spain, Harms, & Lebreton, 2013).

Leadership development and performance have been found to be related to the dark personality traits. Harms, Spain, and Hannah (2011) explored this, and found a negative relationship between DT and the development of leaders over extended periods of time. It highlights the link between personality and the growth of leaders, and the circumstances in which both positive and negative personality traits affect leadership development. Measurement of leadership effectiveness is usually done through bright personality traits like confidence, initiative, responsibility, curiosity, and achievement orientation. By understanding a leader’s dark personality traits, we may pre-empt what could derail employees and affect leadership and performance.

Douglas, Bore, and Manroe (2012) found that individuals who scored higher on the Dark Triad, scored lower on empathy, which is needed in managerial roles in the workplace. The same individuals scored higher on aggression, a trait which might help leaders to rise but could also be the cause of their downfall. Individuals high on the Dark Triad are also impulsive and antagonistic, which can be detrimental to the success of teams or the organization.

Research by O'Boyle, Forsyth, Banks, and McDaniel (2012) concluded that Machiavellianism and psychopathy were related to lower job performance while all three traits were associated with counterproductive work behaviour. In another study, Mathieu, Neumann, Hare, and Babiak (2014) found a relationship between corporate psychopathy and psychological distress at the workplace. Managers high on psychopathy also had subordinates who were more dissatisfied with their work.

If these dark personality traits have such disastrous consequences, then why do such individuals get hired into leadership roles in organizations at influential positions? One reason could be due to their confidence, charisma, and breadth of influence. Jonason, Slomski, and Partyka, (2012) studied influencing tactics and found that individuals high on psychopathy used hard tactics in negotiations like assertiveness, manipulation, or threats. On the other hand, individuals high on narcissism preferred to use soft tactics like compromise, favour, and ingratiation while negotiating.  Interestingly, individuals high on Machiavellianism tended to be more flexible using both hard and soft tactics to influence people, but seemed most inclined to use manipulation.

These toxic employees might pose problems for any organization, managers or peers but they get the job done. When dark personality traits exist in leaders, they seem to bring about some bright aspects of the traits like assertiveness, creativity, making a good first impression and testing the limits which in moderation are associated with business success and can help people rise in the ranks. According to Hogan & Hogan (1997), it is only when present in excess that these subclinical traits could be potential causes for leadership derailment.

While research on the dark personality has been limited to few areas within the organization, it seems to be helpful in explaining an array of behaviours at the workplace. Future research on understanding the Dark Triad in team dynamics might shed light on how successful leaders play a role in the effectiveness of team, departments and in effect organizations. The study of dark in addition to the bright personality traits gives a more rounded picture of how employees function within organizations which adds value to a holistic assessment during selection, development, and promotions into leadership roles. 

Nikita D'souza


A Game of Shows

When you can stop you don’t want to, and when you want to, you can’t
                                                                                                            - Luke Davies


“Just one more episode….I NEED to know if Jon Snow will betray the wildlings, then I will get back to my work”. “Oh, Chandler is so funny! I will watch just a couple more episodes for a quick laugh and then go to bed”. “Oh my God, I did not realize it’s 3 in the morning already!” Raise your hand if these sound familiar to you (yes, my hand’s already raised). 
The Internet has facilitated people to catch up with the shows they’ve missed due to busy schedules. The idea of watching all the episodes together without any interruption of advertisements is lucrative to people. This kind of ‘binge watching’ of shows becomes a part of weekly routine for many. Sung et al. (2015), in their study on binge watching, defined binging as watching two or more episodes in one sitting. 

Having access to a variety of shows in one place is tempting enough for people to watch more and more, thereby investing themselves emotionally in different shows. The curiosity to know more about the characters’ stories gets the better of them. Further encouraging this trend are popular websites like Netflix, Hulu, and Amazon, which are specifically aimed at facilitating binge watching. Netflix has taken a step further by even coming up with its own shows, which are released in the format of an entire season at once. This is further encouragement for people to finish watching a whole season in one or two days.
Most people would agree that binge watching TV shows is a very fun and pleasant activity. How can there possibly be anything wrong with watching your favourite show for 12 hours straight (unless your favourite show is Sherlock; then I feel truly sorry for you). In an annual survey conducted by TiVo Inc. in 2013, about 53% people viewed binge watching as a negative activity, however, the figure has reduced to 31% in 2015. A survey conducted by Harris Interactive for Netflix in 2013 even claimed that ‘binge watching is the new normal’ based on the fact that 61 percent of their respondents claimed to binge-watch Netflix regularly. However, has binging ever been associated with anything good? Binging on something essentially means indulging in excess of something, and too much of anything is seldom good. 
The general behavioural pattern associated with binge watching is that of addictions and obsessive behaviours. Sung et al. (2015) made some interesting discoveries in their study on binge watching.  They found that people who indulged in binge watching were more likely to report feelings of depression. In fact, three-quarters of the people who responded to the Netflix survey (2013) reported having positive feelings about the behavior, which may be indicative of some gloomy feelings before. It is not uncommon for binge watchers to have feelings of attachment towards the characters of the show and feel anxious when there are more episodes of the show left to be watched. This kind of attachment with the show is associated with ritualistic motives to watch the shows which is a form addiction.
Studies have also shown that people turn to their favourite TV shows when feeling lonely. People who are inclined to closeness in relationships, have a fear of abandonment or a tendency towards depression report higher frequency of binge watching behaviours. It has also been exhibited that parasocial relationships formed with the TV shows fulfil people’s belongingness needs.

Does this mean that the activity that is deemed so enjoyable by many is actually indicative of such psychological factors that are unpleasant in the first place? More research needs to be done to examine these associations further. The activity that people so dearly enjoy, if done excessively, may be an indication for them to evaluate themselves and try to steer away from a possibly impending e-problem.

                                                                                                                                       Sampada Karandikar


Gender Discrimination is Not a Joke

Within art lies expression; within expression lies the truth. The truth about us, our society, and the world in which we live. June 2015 was a significant month for many around the world. Feelings of love, joy, and pride lit up the streets as the journey that began with a shunned third gender turned into a celebration of LGBTQ marriage equality. Now, we live in an era where there is so much more then having to identify oneself as either male or female, and yet, there are so many who still seem intolerant towards accepting a social construct that isn’t black and white.

The Diagnostic and Statistical Manual of Mental Disorders (DSM) is the standard classification of mental disorders used by professionals all over the world. Homosexuality remained a mental illness in the DSM until 1973, which meant that if one’s sexual orientation transgressed from the norm, they were seen as mentally ill. Similarly, individuals battling with their gender identity yearned for the removal of Gender Identity Disorder (GID) from the DSM for years. The replacement of GID with Gender Dysphoria in the DSM-V was meant to help remove the stigma that transgender individuals faced with label ‘disorder’, but unfortunately, this wasn’t successful.

            Art breaks the boundaries of norms created by society. It pushes us to see a world beyond the superficial masking of definitions and labels created by narrow minds. Over the years, the objective for creating art has shifted from aesthetical pleasure to political statements, as artists have realized the true power of controversy. Daniel Arzola is one such artist who has used art as a platform for tackling LGBTQ prejudice. His campaign posters titled “I’m Not a Joke” aim to spread awareness of the community in light of recent violent acts against them.  

            The hate crimes faced by LGBTQ individuals include physical and psychological pain. Once meaning carefree or joyous, the term ‘gay’ has evolved to represent one’s sexual orientation in the most derogatory way possible. Children in schools use it to describe a crappy situation without realizing that there are others out there who define themselves with this term. We are so caught up with viewing the world through our restricted lenses that we categorize any feeling or behavior as abnormal, if it differs from our subjective view of what is normal. Being a homosexual, transgender, or queer is not a joke. It’s not a lifestyle that one chooses to lead; it is just the way one is born.

In an interview, Arzola stated that he started the “I’m Not a Joke” campaign because an eighteen-year-old boy from Maracay was attacked at his school. Students thought he was homosexual so they doused him with gasoline and burnt him alive. The 2013 National School Climate Survey reported that fifty-five percent of LGBT students feel unsafe at school because of their sexual orientation and thirty-eight percent feel unsafe because of their gender expression. These numbers suggest that we have an important issue at hand, so why is it that we are still ignorant towards such hate crimes? Since the government is not spending its resources towards addressing such controversies, it leaves the act of addressing to those that have an influence over the public.

Arzola’s campaign posters have become viral on Facebook, Tumblr, and Twitter. While the rise in technology has increased the risk of cyber bullying, it has also provided artists and activists with a huge platform to have an open discussion about controversial topics that many people try to avoid. This is the beauty of contemporary art, its ability to take real issues and to throw it at the public. The beauty is no longer at the surface, but in what lies beneath the message; a message that Arzola boldly expresses through every poster.

 

My sexuality is not a trend; your ignorance seems to be. I’m Not a Joke.

Nobody has the right to hurt you for being different. I’m Not a Joke.

What you call normality is actually repetition. I’m Not a Joke.

We aren’t your fantasy; we’re our reality. I’m Not a Joke.

I’m able to love in all forms. I’m Not a Joke.

 

            I leave you with these phrases created by Arzola and hope that his message is loud and clear. It is now our responsibility to help promote a discrimination free environment, and art is one route to spread such awareness.

Nikita Wadhwa